Framlingham Castle Suffolk antique print

£20.00

Framlingham Castle is a castle in the market town of Framlingham in Suffolk in England. An early motte and bailey or ringwork Norman castle was built on the Framlingham site by 1148, but this was destroyed by Henry II of England in the aftermath of the revolt of 1173-4. Its replacement, constructed by Roger Bigod, the Earl of Norfolk, was unusual for the time in having no central keep, but instead using a curtain wall with thirteen mural towers to defend the centre of the castle. Despite this, the castle was successfully taken by King John in 1216 after a short siege. By the end of the 13th century, Framlingham had become a luxurious home, surrounded by extensive parkland used for hunting. Antique copper-plate engraving, dated in the plate 20 April 1785. Size of engraved area approx 5x6ins.

 

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Framlingham Castle is a castle in the market town of Framlingham in Suffolk in England. An early motte and bailey or ringwork Norman castle was built on the Framlingham site by 1148, but this was destroyed by Henry II of England in the aftermath of the revolt of 1173-4. Its replacement, constructed by Roger Bigod, the Earl of Norfolk, was unusual for the time in having no central keep, but instead using a curtain wall with thirteen mural towers to defend the centre of the castle. Despite this, the castle was successfully taken by King John in 1216 after a short siege. By the end of the 13th century, Framlingham had become a luxurious home, surrounded by extensive parkland used for hunting. This antique print of Framlingham Castle is from: ‘The Antiquities of England and Wales’ by Francis Grose. Eight volumes published from 1772. Printed in London for Hooper and Wigstead. Artists and engravers names are recorded below each antique print, together with the date of the engravings execution.  Francis Grose’s interest was in the field of medieval remains, which were beginning to exercise an increasing grip on the public imagination. In 1772, he published the first part of ‘The Antiquities of England and Wales,’ a work which he unashamedly aimed at the popular market. Essentially, it targeted those who wanted to know about antiquities but had neither time nor means to visit them in person, and contained small panoramas of medieval ruins, together with an informative text on a separate page. Sometimes the text was taken from books already published, or from information supplied by other antiquaries (both acknowledged); sometimes Grose collated material himself from which he could work up an article. From 1772 onwards, he also toured the country to visit and draw sites for inclusion in The Antiquities. In all, Eight Volumes of the work were published. Thank you to Wikipedia for supplying links and some of the above text.

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