Westminster Abbey original antique aquatint dated 1809


Westminster Abbey original antique aquatint dated in the plate 1809 from Ackermann’s Repository of Arts. A nice clean example of Ackermann’s work. Printed area approx. 10.5 x 8 inches. Note: Price shown is ex VAT.

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Westminster Abbey original antique aquatint dated 1809 from Ackermann’s Repository.

Westminster Abbey, formally titled the Collegiate Church of St Peter at Westminster, is a large, mainly Gothic abbey church in the City of Westminster, London, just to the west of the Palace of Westminster. It is one of the United Kingdom’s most notable religious buildings and the traditional place of coronation and burial site for English and, later, British monarchs. Between 1540 and 1556, the abbey had the status of a cathedral. Since 1560, however, the building is no longer an abbey nor a cathedral, having instead the status of a Church of EnglandRoyal Peculiar“—a church responsible directly to the sovereign. The building itself is the original abbey church. According to a tradition first reported by Sulcard in about 1080, a church was founded at the site (then known as Thorn Ey (Thorn Island)) in the 7th century, at the time of Mellitus, a Bishop of London. Construction of the present church began in 1245, on the orders of King Henry III. Since the coronation of William the Conqueror in 1066, all coronations of English and British monarchs have been held in Westminster Abbey. There have been at least 16 royal weddings at the abbey since 1100. Two were of reigning monarchs (Henry I and Richard II), although, before 1919, there had been none for some 500 years.

This image of Westminster Abbey is from ‘Ackermann’s Repository.’ Ackermann’s Repository of Arts was an illustrated British periodical published from 1809-1829.  Although commonly called Ackermann’s Repository, or simply Ackerman’s, the formal title of the journal was the “Repository of arts, literature, commerce, manufactures, fashions, and politics.” This image was part of a monthly publication issued by Ackermann and often ‘bound’ afterwards into the form of a book. Ackermann’s images reflected the social mores of Georgian London.

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